Yo no soy guapo eddie palmieri biography

Yo no soy guapo eddie palmieri biography: # 3 - Yo No Soy

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Palmieri organized his first band, La Perfecta, inwhen he was just Around the same time, he acquired the nickname "Pancho Rompeteclas," meaning "Jack the keyboards-buster. Critics were stunned by this new "trombanga" line, which replaced traditional trumpets. Barry Rogers and Jose Rodriguez played trombones in La Perfecta, which came to be known as "the band of the crazy roaring elephants.

The engagement lasted for five years, until the club closed in I could never thank him enough for that," Palmieri told Birnbaum.

Yo no soy guapo eddie palmieri biography: Listen to Le World Salsa

Palmieri's album El Molestoso "The Bothersome One"was titled in recognition of his reputation as a person willing to butt heads in order to fulfill a vision or retain his creativity. Mambo con Conga es Mozambique, released three years later, was never heard by most Americans because major radio stations deemed it too "communist" in nature and refused to play it.

Palmieri recorded the album to pay a homage to Latin music's Afro- Cuban roots and rhythms. La Perfecta disbanded inand Palmieri went on to record civil rights anthems and "boogaloos" with the group Harlem River Drive, fusing his Afro-Caribbean sound with rhythm and blues. When the salsa movement gained momentum in the early s, Palmieri turned his attention again to Latin tracks and recorded Vamonos Pa'l Monte with his brother Charlie on the organ and Chocolate Armenteros on the trumpet.

He flew to Puerto Rico to work on the album but still needed to find a vocalist. He eventually discovered a young singer named Lalo Rodriguez, who would appear on other albums as well. In Palmieri won his first of five Grammy Awards for best Latin album. A year later, he won a Grammy for Unfinished Masterpiece. Palmieri spent five years in Puerto Rico in the early s.

Salsa's popularity was waning in New York City at the time, and Palmieri's brother had suffered a heart attack. Palmieri went to Puerto Rico to take care of his ailing mother. But working in Puerto Rico was stressful for Palmieri.

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It was quite difficult. We were hurting for employment Soon after, he signed with Nonesuch Records, a label noted for classical music rather than Latin or jazz recordings. In the mids Palmieri was at work on a project that sought to weave Afro-Caribbean rhythms into the classical compositions of Johann Sebastian Bach and Ludwig van Beethoven.

In he released Palmas. Palmieri told Down Beat contributor Howard Mandel: "Palmas sets a precedent for how to extend jazz into the most incredible rhythmic patterns, the most exciting in the world, 40, years old! Essential to the Charanga style is the five key wooden flute and at least two violins. Palmieri decided to replace the violins with two trombones for a heavier sound.

Two key elements to the 'Palmieri' sound were trombonist Barry Rogers as well as guitarist Bob Bianco with whom Palmieri studied the advanced harmonic concepts of Russian music theoretician Joseph Schillinger. Rogers would also expose Palmieri to the work of then John Coltrane pianist McCoy Tyner whose use of chord voicings in fourths became a signature of Palmieri's sound.

To this day, the group is known as one of the swingingest, most danceable, innovative and influential groups of that period. Palmieri experimented by employing a jazz aesthetic both in live performance and on his recordings based on the Cuban "descarga" jam session concept. He "opened up" the arrangements by featuring his band members as soloists.

In addition he began incorporating a newly developed post Castro Cuban rhythm known as mozambique. Discontent among several members and seeking a bigger and punchier sound, Palmieri disbanded the band in reforming it with legendary Cuban trumpeter Alfredo "Chocolate" Armenteros, timbalero Nicky Marrero, conguero Eladio Perez, bongocero Tomas 'Choki" Lopez, and bassist Andy Gonzalez.

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In the s, Ismael Quintana returned to the band, which also included Cheo Feliciano. The next year, his brother Charlie died suddenly. InPalmieri received an honorary doctorate from the Berklee College of Music. Palmieri's La Perfecta departed from the traditional Cuban sources of salsa instrumentation by introducing a new stylistic device into the New York Latin sound.

Their signature sound relied heavily on two trombones and a flute instead of trumpets. On the liner notes of their first album, Eddie's brother Charlie dubbed this combination the 'trombanga', referring to the trombones and the still popular charanga which typically featured the flute. The combination helped to give La Perfecta a rich and bold sound which contributed to Palmieri's success with his new band.

Inthe recording was awarded a Grammy as the best Latin Jazz Recording. Contents move to sidebar hide.