Yasi hofer biography of william

Yasi Hofer is a German guitarist who is known in the music scene above all for her virtuosity and technical skills. She began playing guitar at an early age and quickly found her passion for music. She was discovered by Steve Vai at the age of 12, played with him live during a concert on his tour of Germany, and was supported by him from then on.

Yasi was later accepted to the renowned Berklee College of Music in Boston, where she continued to refine her musical craft. A few month after she started learning the instrument her guitar teacher introduced her to Steve Vai. A whole new world opened up to Yasi. Inspired by her new and only Idol she started learning Steve Vai songs, quit all her other activities and sat in her room no less than 10 hours a day, practicing.

Life now was all about music.

Yasi hofer biography of william: Yasi Hofer, in Ulm

He would watch all of her videos and follow her progress. But they asked for specific other sounds. It would typically be either the sound of the original recording or a sound the musical producer asks for. This approach was new to me since I have not played for such big productions before that. When I use the Carvin, I have a clean and a drive channel.

I control the amount of distortion from my guitar. Additionally, I will typically use a reverb or a delay pedal, sometimes a chorus, a phaser and obviously a wah pedal. With the trio, I keep it to a smaller sound choice, because I want to focus on my guitar sound as a specific voice which shouldn't change all the time. I tend to fill up a bank for the song in order to switch between different sounds for the different parts such as verse or chorus.

Yasi hofer biography of william: Ibanez Artist Focus: Yasi Hofer Discovered

And you can easily fulfill the need for specific sections where you want your sound to be louder or more cutting in a certain way to fit the mix. I have one profile per song with five programs plus a boost switch when needed. I use more sounds and often need certain effects for playing small melodies such as delays or a tremolo. I would need a really large pedalboard to handle this with a regular amp, plus a lot of tap dancing.

Yes, I do. It is certainly a different feeling that I had to get used to. It is maybe not equally sensitive as a good real tube amp. Besides the portability, it is the flexibility you get in general. Pop music has a demand for many sounds, unlike blues or jazz for example. You need to be able to add specific effects at a certain time and take them away quickly as well.

The profiler has a big advantage here. Also, it allows recalling all these sounds via MIDI remotely which will give me a lot more freedom on big stages perspectively. Another important aspect is having a noiseless stage. It was a demand for both No Angels and Helene Fischer. No amps on stage. The whole topic was pretty new to me, so I was certainly talking and interacting with the FOH engineer.

I had originally set up my Profiler sounds with the Kemper Kabinet. But when I didn't bring it, it sounded different of course. So I had to find out how I sound in the audience and on the monitors.

Yasi hofer biography of william: Yasi Hofer jamming with Steve Vai,

And the engineer found a specific midrange to give my sound more body. We also worked out a plan to create a good stereo image since with No Angels there's no other guitarist. So we tweaked the delays for certain sounds to give it more width while others are more dry and centered. The whole idea was to make it sound great for the audience and we adjusted the profiles and effects in that regard.

Sometimes, effects were added from the mixing console and we made recordings to double check if the results were fine the next day. It was a great experience for me since it also feels really different to no longer have an amp in the background, but just sound in your ears. But it turned out that it is a lot of fun and the resulting possibilities are just great.

And to make it clear. A production like Helene Fischer would be really hard to do with real amps. I have a volume pedal and the expression pedal for the wah but no external effects. It all works great. Not yet since I didn't have the time yet. Especially since I am going to do some recordings soon for the album. I have heard different opions about doing profiles.

Some say, it's easy and fast, others say it is a long process to get good results. I would encourage you. Since you have a control and recording room, you have the best conditions. And some are really good. Those sounds simply sound and feel good to me and work on the projects.