Rick downey blue oyster cult burnin

The addition of an umlaut was suggested by Allen Lanier, but Richard Meltzer claims to have suggested it just after Pearlman came up with the name, reportedly "because of the Wagnerian aspect of Metal". The hook-and-cross logo was designed by fellow Stony Brook student Bill Gawlik for his master's thesis [ 10 ] [ 47 ] in January[ 48 ] and appears on all of the band's albums.

The hook-and-cross symbol also resembled the astrological symbol for Saturnthe Roman god of agriculture, [ 52 ] and the sicklewhich is associated with both Kronos Cronus and Saturn both the planet and the Roman god. The band's influence has extended beyond the musical sphere. The lyrics of "Astronomy" have been named by author Shawn St. Jean as inspirational to the later chapters of his fantasy novel Clotho's Loom[ 91 ] wherein Sandy Pearlman's "Four Winds Bar" provides the setting for a portion of the action.

Titles and lines from the band's songs provided structure and narrative for the third book in Robert Galbraith's a pseudonym for J. Rowlingseries of Cormoran Strike novels, Career of Evil. The original recording was produced at The Record Plant in New York by David Lucas, who sang background vocals with Roeser, and introduced the now-famous cowbell part, which may have been played by himself, [ 94 ] Albert Bouchard, [ 95 ] or Eric Bloom.

In the film Gone Girlthe song plays on the radio during a car driving scene with actor Ben Affleck. The song was also used as the opening theme and main story element in the FMV computer game Ripperby Take Two Interactive, and was also featured in the game Prey and the game Returnal. The song was also used in Orange Is the New Black's season 2 finale.

Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. American rock band. This article is about the band. Hard rock heavy metal occult rock progressive rock. Columbia CMC Frontiers. History [ edit ]. Early years as Soft White Underbelly — [ edit ].

Black-and-white years — [ edit ]. Commercial success — [ edit ]. Declining popularity — [ edit ]. Live-only activities — [ edit ]. The Symbol Remains and Ghost Stories —present [ edit ]. Musical style [ edit ]. Lyrics [ edit ]. Band name and logo [ edit ]. Legacy and influence [ edit ]. Members [ edit ]. Discography [ edit ]. Bibliography [ edit ].

References [ edit ]. Archived from the original on June 15, Retrieved November 12, Blue Oyster Cult: Secrets Revealed! ISBN OCLC The Encyclopedia of Heavy Metal. Retrieved September 29, February 7, Retrieved February 7, Retrieved October 29, Gainesville Sun. Retrieved September 10, Archived from the original on September 26, Retrieved September 24, Archived from the original on April 1, Retrieved July 21, The Rough Guide to Heavy Metal.

Rough Guides. Classic Rock Magazine. Archived from the original on January 25, Retrieved January 25, Blue Oyster Cult, Secrets Revealed! Metal Blade Records, Inc. SBU News. August 25, Retrieved March 5, June 11, By the time late 's 'The Revolution By Night' appeared, the new rick downey blue oyster cult burnin was Rick Downey, and the band continued to change it up with quirky songs touching on sci-fi, and some off-beat edges seriously threatening the crown of The Tubes for kings of wackiness.

Not quite though, Blue Oyster Cult still retain a serious edge, and keep things smooth and melodic all throughout. It's a solid cutting effort. Like the track before re: songwriter, guest playerit was written by a chap called Gregg Winter, who also provided backing vocals for it. Third track is the interesting 'Shooting Shark'. Penned originally by Patti Smith who had an association with the band courtesy of her long-term relationship with Allen Lanier during the 70'sthe source was a poem, something Smith was very handy at writing back in the day.

But yes, it's very possible we went to Portland from Alaska First time we saw it was Seattle, next time we saw it was Lubbock on 2nd Sept - after Europe - at the start of the Foghat tour I couldn't believe they were playing there again, and so soon after playing in Eugene at Oregon Jam the previous month. I remember the drum tech coming out to replace it, and Albert patting him on the head!

Rick downey blue oyster cult burnin: Blue Öyster Cult song. Although

I'd kill for a recording of that show. I had no idea at the time that I was seeing one of Albert's last shows. If I remember correctly, the opening act was Johnnie Van Zandt? Wraxallman I was at the first of those German shows in while Albert was still drumming. Capt Von Ondine posted a really excellent pic of the Stuttgart show last year.

I have it somewhere - I'll try and dig it out. He said he had others but hasn't posted any more since. The gig. Great gig! My first outdoor festival. Me an impoverished student, barely scraped the cash together to go the gig and have some beer and train money. I remember the merchandise being stupidly expensive but really wanted that t-shirt.

It was going to be either the T-shirt or the train and the train won. Bloody hot day so the beer money was essential. I got a nice sunburn that day and I still had hair so it was hat free. Hotter than hell that day and lines for beer were awful. Had a hell of a time. Wore the t shirt until it literally fell apart. Would kill to have another. Oh, well.

Eric Manner This was the first "real" concert I ever went to. I was stationed in Goeppingen, Germany, at Cooke Bks. We were about 40 km from the location. When I went, I was not a big fan of any group, but had listened to some of their songs on the radio.

Rick downey blue oyster cult burnin: “Burnin' For You” was Blue

I probably knew Foreigner the best and their song "Urgent" had just been released in June. That is what they closed the show with in their encore. The concert was "totally devestating". It was sooo great! Even though I enjoyed it as much as I did, it hasn't been until these last 10 years or so that I started to appreciate it. I wish I could have embraced it then, like I do now, and the artists that performed.

As hot as it was, it did allow for some sweet "eye candy". Sometimes you got to take the bad with the good. It's been so long yet I've never been to a more intense and enjoyable concert experience - all day, all night! I had remembered Foreigner, BOC, 38 Special, and Kansas but couldn't remember any of the other bands, though Iron Maiden had been nagging my brain as a possibility!

I distinctly remember coming in on one of the gazillion buses, and walking forever into the stadium. Being in that stadium - one with so much history to it, was surreal to me. My memory still retains brief moments throughout the entire day. I remember there being at least two stages side by side - were there three? It was a great summer experience with women in bikinis, everyone caught up in the great music - the sun shining Thank you for having posted the info on the BOC web site.

I really loved seeing the ticket scan Ralf Gimbel In 16th august Nuremberg the songlist is pretty much the same as in Stuttgart, 15th. But after the concert I was a fan. Jeffrey D. I have a ticket stub somewhere, though, I have not seen the stub in years. I have several ticket stubs from concerts in Germany. I don't recall any sort of conflicts or tension between the band members.

I do recall that most of the audience was asleep; it was a hot day and in the afternoon of an all day concert. I was standing right in front of the stage, mostly alone, watching and listening to the band play. The lead guitarist was looking at me and indicated the audience. I just shrugged and mouthed "I like it". He smiled and kept playing. It was a memorable experience for me.

Harold Sultzbaugh BOC played a killer show that day. The running order for the bands that day: More Blackfoot. Good times. Martin Giles Just wondering if you remember someone putting a mega big British flag over Hitlers balcony at the 4th summer night concert. That someone was me and I have been trying to find any pictures of it I have some great memories of that concert.

I was at the 3rd Concert as well Buck Dharma I think that was the Nuremburg concert I looked out our backstage trailer and saw Steve Walsh of Kansas doing situps with a 25 lb. Steve was quite the acrobat onstage those days, doing handstands on the Hammond organ while he played and sang. Al showed up a few songs into the show and all had a good laugh The ride back to London was interesting as the Van that the crew and Mr Rock Star Downey was riding in smacked a curbing and lampost just south of town and did the front windscreen and whacked the alignment silly on the front wheels We pressed on it was luckily summer till the poxy thing ran out of petrol on the side of the road at the end of the runway of RAF Lakenheath Those F's eliminated any sleep we might have gotten waiting for someone to get some more All well until just north of the old North Weald fighter command base can you tell I'm into military stuff???

I navigate in Europe by military installations. I was there. I didn't fancy going to Donington but went to the 3 warm up dates [Dunstable and London, The Venue being the other two]. I don't remember much about the gig except of course Albert arrived late. I do remember before the concert started Buck came out in casual gear and strummed [very quietly] the opening chords to 'ETI', presumably a last minute sound check.

After a few seconds a half-hearted cheer went up as fans recognised him. I hadn't seen the band too many times before West Runton but enjoyed it immensely, particularly as it was a small venue. I can remember the London gig was much poorer in comparison as Buck seemed to be in a bad mood. First and only time! Alex Coulthard Yes I went to this one, having persuaded my parents to take a summer holiday in East Anglia so that I could see them.

I remember rick downey blue oyster cult burnin 'Sounds' magazine one week and discovering to my delight that that BOC were going to be playing there as a warm-up for their Donnington appearance under their pseudonym Soft White Underbelly. This was intensely exciting as I was 18 at the time and probably at the peak of my BOC-obsession.

I'd seen them for the first time a couple of years previously on the Mirrors tour at Queens Hall, Leeds. I remember that occasion as being absolutely seminal - even though the venue in Leeds was a converted tram-shed the sound was awful. Anyway I remember arriving in West Runton the day before the gig I think and quickly did a recce of the village, which didn't take long.

I remember on the big day hanging about in the pub next to the venue chatting to the roadies with a mounting level of excitement. Started queing at about 6pm ish I think - no-one else there seemed to be much older than me what is it about BOC that seemed to appeal to teenage boys so specifically? Anyway the gig itelf I don't remember too many specifics of.

I was right at the front and it was seriously loud. The first thing I noticed was that Albert Bouchard appeared to have undergone a dramatic transformation - so much so that it was no longer Albert Bouchard! His stand-in sounded pretty good for about four numbers, after which everything ground to a halt. After what seemed like several minutes Albert took his seat and the gig resumed.

Of the songs performed I remember Dr Music, Burnin for You and Roadhouse Blues as being great live - the other numbers have become blurred in my memory. I cherished a couple of BOC plectrums that I managed to grab hold of at the gig. Marvellous stuff. By this time I think the band were in decline and the gigs were a relative disappointment.

Postscript: I revisited West Runton a couple of years ago and was saddened to discover that the Pavillion is no more - it is now a car park! Yes I was there and what a GIG. I had only got into BOC about a year before with a copy of Tyranny I swapped with a mate and nearly wore it up. We couldn't believe it when eagerly scanning Runtons gig list and there was Soft White Underbelly, the year before we had seen Ozzy with what I believe was his first Blizzard of Oz date and now a chance to see BOC well I still get a buzz from it today.

I was fifteen and mad about bands and gigs I went to School at Wroxham just a short train journey away from the Pavilion and school day gigs were great, we all use to tell our parents that our mates Dad was taking us to the gig and arrange for one of them to pick us up. Then bunk off for the day get the train from Wroxham station and head to the Village Inn at West Runton to get into the spirit etc of things, this usually was followed by a good pratting about on the beach then making sure of staking claim to the position of the head of the cue and dig in for the door opening.

Saying all that I can't remember how I got to the BOC gig, but we were at the head of the cue with all senses in tact, wasn't going miss out on this one. I was surprised at the set list on the web page thought they did more than fourteen numbers but saying that from what I can remember the songs were all full or extended versions and I wasn't disappointed with the selection.

I remember getting a couple of Buck's personalised plectrums, very impressive, which with much regret I have lost and if my memory serves me well a can of breaker lager Eric drunk from, this last item is also not in my possession I'm not that sad yet but sad enough to still have one of the Drums sticks Albert launched into the crowd, I think in Godzilla, always remember the story about it being one of his last gigs.

I have a memory rightly or wrongly of Buck playing a solo and finishing with breaking one by one the strings on his guitar as he finished, or did I imagine it! We were at the front all the way through the gig and to say it was awesome is a understatement. Funnily enough I had a nostalgic trip the other night after seeing Ozzy on TOTP2 and dug out a few old singles and albums and found tucked in the Crazy Train single sleeve Blizzard of Oz autographs including the departed Randy Rhodes, and you comment about meeting the band made me think, we usually did meet them at great effort but I don't know why we didn't with BOC!

I also found an old list of the gigs I made at the time, and by the time I left School in 82 I'd seen getting onto 40 bands some who disappeared without trace some who went onto big things and a few that stood out like this one, it was great to find this web-site and especially this page the pictures were a bonus bringing back some great memories of the hallowed places of West Runton Inn and Pavilion.

I remember the gig well and have some dodgy photos of the gig itself. There were 6 of us all aged about 19, who came up from Norwich and spent the day on the beach in eager anticipation. Certainly I don't think they would admit they were even there now, but I have the photos! I remember playing all the BOC albums on an ancient tape player over and over on the beach, much to the annoyance of the nearby ricks downey blue oyster cult burnin.

We were certainly getting ourselves in the mood. BOC playing this little venue in a small seaside village in North Norfolk was not such a surprise as some really top bands have played there over the years, and at Cromer Links down the road. We therefore expected a big crowd and remember hanging around the Village Inn to make sure we got in.

The Adnams was pretty tasty and we all had loads of chips! Most of those I told about the gig later said they hadn't believed me! I recall hoping to bump into the band before the gig but we never got a glimpse. I reckon we went into the venue too soon. The description of the gig itself has been well documented and I recall shouting out in unison with about 5 others "Where's Albert" and I remember one plank shouting "Where's Joe" until he realized he'd chosen the wrong name!

However, there was no acknowledgement from Eric or Buck that anything was amiss. I do recall that when Albert did appear he didn't seem too enamoured with the stand-in and appeared to shove him aside, but maybe I imagined it. Final memory was that it was all over too soon and we were heading back down the A full of great memories of what was a great gig.

Shame about the next time we saw them at Donington. Standing in the constant drizzle with a Robin's Records bag over my head, dodging flying burgers and being underwhelmed by More, Blackfoot and Slade before being even more so by BOC and Whitesnake. We were wet and cold, but I was wetter the following year for the Genesis gig at Milton Keynes.

That was to be my last ever open air gig. I vowed never to go again, but finally cracked and watched Peter Gabriel in summer 07 - again in a monsoon. Never Again! I originally found a listing for this gig in the Saturday, 18 Jul edition of the "Evening Post":. Want to See a Big Band in Reading? One of the bigest rock gigs Reading has known takes place next month - but don't tell anyone!

Blue Oyster Cult, a huge name in the States and throughout Europe, bring their particular brand of heavy metal to Reading on August 19, but you are not supposed to know. The gig is at the Top Rank, but the band are not being billed as the Cult. They are advertised under the name of Soft White Underbelly. It's all to do with contractual clauses.

You see, BOC are due to play the Donington rock festival on August 22 and apparently, they are not allowed to be advertised as a competing "rick downey blue oyster cult burnin" anywhere else in the days preceding the event. The gig will also be a big break for local band After Dark, who are scheduled to support the Cult, in front of possibly 2, punters.

The promoter said it himself: "they are not allowed to be advertised as a competing draw anywhere else in the days preceding the event," yet here he was promoting the Reading gig - off-handedly, perhaps, but self-evidently, nevertheless - as a "BOC" gig It appears the band wanted to perform some warm-up gigs to the Donington rock festival, but has now been booked into The Venue in London, instead of Reading.

Obviously, we don't know that the promoter's loose lips sank this particular ship, but I'm sure it wouldn't have helped Soft White Underbelly By John Coldstream Although at least one music journal had let the cat out of the bag, there was still just enough room to manipulate an earplug in the Venue when Blue Oyster Cult, one of the more spectacularly brutal Transatlantic combos, reverted to its name for a "low profile" prelude to the inevitable mayhem of Saturday's "Monsters of Rock" concert at Castle Donington.

The principle is admirable. Devotees see their idols in comparatively intimate surroundings without a thick grey line of bouncers making the gulf between audience and performer seem even wider than it always is at the more lucrative large-scale shows. Likewise the group if it has not forgotten how can relax a little delve among the mothballs and perhaps recall some of the sweat tears and motorway catering of yesteryear.

More is the pity, then, that the Underbelly should have treated the evening so pretentiously. From the instant their arrival was announced "from New York City" they might as well have been up on the lofty outdoor platform which awaits them at the weekend. Certainly the amplifiers will need little adjustment or this foundation-trembling 95 minutes, measuring at least 8 on the Richter Scale, may well have shaken snow off the Alpine peaks being scaled by Miss Petula Clark and her von Trapps down the road at the Apollo.

Rick downey blue oyster cult burnin: See members article for

Only when thev settled for simplicity, as in the Steppenwolf classic "Born to be Wild," did lead vocalist Eric Bloom and his four colleagues hint at a party spirit. Even "Joan Crawford" on record a dramatic piece with apt soundtrack effects from lead guitarist Donald Roeser became just another volley in Wednesday night's blitzkrieg. Albert Bouchard's drum solo on "Godzilla" lasted all of four minutes, punctuated by what sounded like the Goodyear airship in deflationary mood.

Somehow symbolic, one felt. Ziggy Rokita As the dates grew closer the hints in the press that it really was Blue Oyster Cult playing under the Soft White Underbelly moniker became less subtle. It didn't matter to me - I had booked my tickets as soon as I had seen the dates announced-in fact, the person selling the tickets at the Venue ticket office mentioned that he had never heard of SWU and wondered what they were like.

When I mentioned that it was BOC he said that he would be buying tickets too! A friend of mine who lived in Dunstable at the time still tells the story of how he would not believe that one of his favourite bands was playing at his local hall - he's eternally grateful that he let me convince him. The Venue in London is long gone. To put some perspective on the event: BOC's latest album Fire Of Unknown Origin was gaining rave reviews; the last time that the band had played in London was 4 dates at the capacity Hammersmith Odeon and here they were playing a small venue in the heart of the city.

It offered a "hot ticket" excitement and a ticket tout's Christmas. The venue has since been home to a clothing emporium Dicky Dirts and now a Fitness Centre. It was an odd night at the Venue. They always opened the doors on time I was told that the place, which was notoriously hot, always made a fortune on beer but that night they kept everyone waiting outside on the pavement.

When the doors finally opened there was a sudden surge-nevertheless I still got to where I wanted to be-just by Buck's mic stand. We waited for what seemed to be an eternity. The stage had long since been fully prepared for the band and there were occasional announcements to apologise for the "technical" delay. I seem to remember my girlfriend being concerned that we would need to leave shortly to get the last bus home remember when we didn't have night buses?

Hell, I was going to walk home can't think that she was prepared to do the same! Midway through one of the "technical" apologies, the lights went down and a deafening roar of approval came from the audience. Opening with Dr Music, the band came across as angry and by the time they got to Heavy Metal Black and Silver with its feedback intro and outro they came across as positively violent.

Only when they came to the next number did it become apparent that not all was well with the band. In typical showbiz fashion Eric announced that Albert "is gonna tell you about the next song". Albert in whinny sarcastic voice goes "yeah yeah, Albert's gonna tell you about the next song" and without another word he smashes into Cities On Flame. An amazing version and very intense.

Flaming Telepaths followed. For me the intensity of Eric captivating the audience into almost believing that the song was autobiographical made it all the more powerful. Since then it's pretty much been my fave BOC track. The merciless rhythm that Albert pounded out during Veteran of the Psychic Wars seemed angry and created an almost hypnotic effect with the audience dancing to every beat similar to the beat that one would experience at a Queen concert during Radio Ga Ga.

I remember feeling slightly conned that I didn't witness the 5 guitars showstopper on this occasion, but despite Buck's spangled gold shirt all the band excelled themselves. This was one of their best gigs despite the fact that there did seem to be a mood onstage that only lifted once they got into the final number, Roadhouse Blues. Buck ending the show with some really athletic high kicks, some scorching solos and sacrificial string breaking.

The feedback from Dunstable the following night was that they were also late onstage and that that show too was very intense. It was only a few days' later at Castle Donnington's Monsters of Rock festival that I learnt of Albert Bouchard's departure from the band. From one of their best ever gigs to one of their worst in the space of a few days.

Some were still wondering whether they'd been conned by a no-publicity stunt until they arrived to see Dunstable plastered with the notorious Kronos symbol. T-shirt chic was the order of the day with all the fans checking out the hottest designs. Fortunately my Agents of Fortune pic was not duplicated. Many of the kids had attractively embroidered logos and slogans executed by their loving girlfriends and mums?

The jaws of dozens of aspiring drummers dropped as they realised that their hero hadn't made the gig. Dead on Don't do it, Albert! Think again! The Stalk Forrest Group needed you! The Soft White Underbelly needed you! Don't quit on BOC just as the band gets its first major chart album! Mick Godwin, Bath, August Note : I am not absolutely sure of the stand-in drummer's name, but Rick Downey is the drummer on the Extra Terrestrial Live album, so he is the most likely candidate - MG.

Simon Lynch Happened to see the advert for this in "Sounds" or some-such, one of the warm-up gigs for Monsters of Rock. In many ways my favourite gig. I'd travelled some distance to get there and had to stop overnight so, as you do, I went to the police station to ask if they knew anywhere to stay I think I actually wanted them to put me up in the cells overnight!

They recommended some friend or other and I ended up sleeping in some kid's bedroom dunno where he slept. Got to the venue about hours before the band were due to come on stage, saw some cool SWU posters and, after asking nicely, managed to pinch one. Got chatting to some of the guys in the queue and, when some fancy car pulled up round the back, we took it in turns to go and chat to Allen.

Of course I was too awestruck to have a sensible conversation, I was even overwhelmed by the other fans, some of whom had previously travelled to the States to see them. Allen was impressed with my poster, but, when I wouldn't let him have it, was gracious enough to sign it for me. When the doors finally opened, managed to get a spot right at the front.

The stage there was so low that, at 6' 4" I felt I was actually on stage with them. Being a "newbie" to live shows I didn't notice that something was "up" until Eric introduced the band and I realised that Rick Downey was on the drums and doing a fine job! A fine set with a good variety of old and new, no "Astronomy" and still no "Last Days of May", but a blinding version of "Veteran".

At the end of the show I managed to pick up a Buck Plectrum and I actually had hold of one of Albert's last drumsticks. Unfortunately the other end was being held by some large, hairy, greasy biker who threatened to kill me if I didn't Let Go. Oh Well Philip Murgatroyd Stumbled across your site and thought I would share with you my SWF nite at Dunstable Went with my brother and a couple of mates, wasn't very well publicised, so only die hard fans were there.

Doors opened and after a mad rush, We were leaning on the stage, dead centre, at the feet of Rock Gods. It was 26 years ago, so the memory fades, it was a good gig, picked up a discarded Buck Dharma plectrum which I still have. Albert was very late and after the gig we were walking outside and we came across this tiny guy dressed up in a silver suit.

He was well pissed off and we recognised him as Albert. He had just been fired by the band and was not happy, he grabbed this fence post out of the ground and began hitting this hire car that had let him rick downey blue oyster cult burnin, BANG BANG BANG this car was a mess, by the time he had finished, we didn't try to stop him, he was a thing possessed.

So my claim to fame is that I witnessed Albert Bouchard knocking 7 bells out of his car after being fired. Went on to see the band at Donnington, later that week, just wasn't loud enough on the day and it was a poor show, shame. The Last Days of May in fact, and things were progressing normally for a 15 year old I suppose. Stuck in my bedroom thinking about Caroline Jones and whether we'd ever really get it together, listening to a few sounds, and waiting for Top of the Pops to start.

You know the time, end of punk, beginning of Disco and strange hybrid bands. All very interesting but nothing to change your life, nothing to make a stand over. Well not until that night!!! I bought the single, then the Agents of Fortune album. Introduced my brother to the band and we became avid collectors of any BOC stuff. However we seemed to be a fan club of two.

I know Stairway to Heavens a fucking great song but listen to Astronomy. Our pleas fell mostly on deaf ears. Three years went by, and the legend grew. There was so little info on the band. So few interviews, or reviews of their concerts and what was said just made them all the more mysterious. By this time we were desperate to see them live.

Cultasaurus Erectus had gone some way to heightening awareness and Buck Dharma was now mentioned in magazine polls. Life was good although it still wasn't quite happening with Caroline. Anyway in early '81 news broke of the 2nd annual Donnington"Monsters of Rock Festival. Saturday 22nd August was to be the red letter day. The days leading up to the rick downey blue oyster cult burnin were spent in glorious anticipation.

My denim jacket although sporting a couple of BOC patches and badges along side John Miles check out the "Zaragon" album Nazareth and Bad Company did not do the band justice. So I talked nicely to my girlfriend not Caroline unfortunately and she embroided the back with the band name and logo. She did a fantastic job and I still have the jacket.

It doesn't fit me anymore but as an interesting footnote to this story, my current girlfriend still not Caroline wore it to the Astoria gig. The eve of the gig arrived and we gathered at Tug's place the guy with the car. We arrived early evening and parked next to a van with the legend "Hendrix Lives" painted on the side. This vans picture subsequently turned up in one of the music papers reviews although we failed to make the photo.

There didn't seem a lot else to do so we put up the tent and had an early night in anticipation of tomorrows festivities. At this point I think I should reiterate that this was our first open air concert and it would be fair to say we were a little naive. We hadn't brought any breakfast thinking we would get something there. I expected to see the line-up with Rick Downey on drums as I did 3 months earlier at the Country Club show.

The house lights went down and here comes the announcement The lights come on and there they are, my heroes. But, who is that on drums??? It's not Rick I couldn't believe my fucking eyes! I almost passed out with excitement. This was something I thought I would never see after With all due respect to Rick Downey, Albert's feel on drums just cannot be duplicated, period.

It was great to have you back Al, even if it was only temporary. Opened with "R. Ready To Rock". Albert played those drum fills great, as if he'd never left the band. Buck was ripping it up on guitar, as usual, and when they finished the song Buck turned his head toward Albert nodding up and down as if to say "great job, man". And Al did do a great job.

I will never forget that! Allen too. I wouldn't have believed he would leave the band about a week later. Next, they played those 2 songs by Bob Halligan, Jr. I have no doubt that Albert probably hated these songs, but he played them pretty good, nevertheless. It was ironic that Albert didn't record that song, but he played it better than Rick!!

Electronic toms and all. No Godzilla head, however. I guess they wanted him on a short leash for this tour. What a glorious show, man! It's a shame this reunion didn't last long. I guess the old differences came back to haunt them and Al was out again. Shame, really. You would never have thought that after seeing this show. They looked like they were having a blast on stage.

This is the Blue Oyster Cult I prefer to remember. All the other line-ups just don't match up, period. Ralph Looking at Mike's post above, it becomes possible to extract the setlist for this gig, which goes as follows: R. WE 3 of us were the hired stagehands who had to drive our own car, following the band from gig to gig. We had to do the complete set-up, tear-down, lights, side-stage, and anything else put before us.

By the way - the opening band for this gig was Vanilla Fudge. I said, "That was me. I wasn't me. I wasn't allowed to sing or talk onstage so I changed all my parts into disco beats. What the heck! I wouldn't sign any autographs because I felt I wasn't really there. I'd do it different if I could do it over. If the "Tim Bogart" mentioned above was actually "Tim Bogert", then maybe that was the Fudge connection?

Blue Oyster Cult with opening band Billy Satellite. BOC was the shit! Great live show and I've seen 'em many times since. Think this was the first big concert I ever saw in Modesto. The ear-splitting performance in the MJC Gymnasium was in stark contrast to some of the bigger theaters the decade-old group has played in, including New York's Madison Square Garden, municipal stadiums and Oakland Coliseum Day on the Green concerts.

Modesto is the fifth of eight mostly small Central Valley bookings that began on Feb. They played in Visalia Sunday night. If the standing-room only crowd noticed that the Blue Oyster Cult hasn't exactly dominated record charts lately, they didn't show it. And if it bothered the audience that the music was second only to an atomic blast in fury, you couldn't judge that by the way they were dancing, waving hands and just plain enjoying the vibrations.

For the uninitiated, the name of the group refers less to a formal religious group than to symbolic, unifying enthusiasm for good rock'n'roll music. As the band peeled off hard-rockin' hit after hit, interspersed with cuts to be released on their upcoming album, the crowd sucked it up. Following a warmup by Billy Satelitte, a singer from the Bay area, the Cult walked on the stage at p.

A chorus of cheers gave the answer, and the Cult opened with a minute rendition of "Are You Ready to Rock? Dunno about you, but I'd love to have heard them do "Spirit to the Stars Barry Moon I went to both shows that night! My ticket stubs say "special guest" but I have no idea who they were, or if there even was one! Kinda foggy back in those days!

I see the setlist for the 2nd show; I'm sure the setlist for the 1st show was almost identical, give or take maybe 2 songs. Wish I could find out what it was. Waiting a few seconds for the audience's affirmation, Soft White launched into their opening song "R. Ready 2 Rock? From their opening song, Soft White went into E. Extra Terrestrial Intelligence.

Although the song lineup varied from set to set, the music played remained the same. Soft White formed in upstate New York in the late sixties, playing small clubs till they produced an album in titled simply Blue Oyster Cult. Since then they have produced eleven more albums, the last of which was released in titled Revolution By Night.

They have toured extensively and internationally under both Soft White Underbelly, their original name, and Blue Oyster Cult. Why would band who generally performs at every major amphitheatre and arena choose to play a small house whose capacity won't permit a crowd larger than people or any dramatic special effects? According to him, in between BOC releases the band likes to try new material in small houses in varying cities.

If the new songs work, he went on, they will put them on their next album, and use them on their major touring as Blue Oyster Steve Shenck spoke of an album coming out this summer, and a Blue Oyster Cult tour in the fall, probably beginning in the U. The first encore of the first set was "Hold on to Your Soul"? Ralph Although this show was reported to have been a Soft White Underbelly gig, all the tickets, adverts, newspaper listings - as well as the the Pollstar data above - clearly designated the band as "Blue Oyster Cult" so that's what I'm going with Acequia St.

Tickets are available at the Convention Center box office and other outlets, including Ticketron. This was the final date of the "Albert Returns" dates, if I'm not mistaken Ralph Although all these shows were reported to have been Soft White Underbelly gigs, the ticket stub above identifies the band as "Blue Oyster Cult" so in the absence of any other printed evidence, I've stuck with that Ralph Although I previously thought March had largely been taken up with BOC auditioning and rehearsing for new keyboardists and drummers, it seems there may have been at least one gig planned for that month James Kraus I believe it was March 12 or 13 - they were supposed to play in D.

It would have been my first show. The snow really came down hard and on the radio the DJ said that Joe had been stuck in Norfolk, Va and couldn't make it up, so they canceled it. I already had tickets for 2 went with a friend and it took well over a month to get a refund -- I had to go into D. Anyway, we were driving down Annandale Road to get into D.

The Joe part could be false, but that's what he said. I believe it was March 12 or 13 because it was a weekday and I just recall it being during the first half of March. For years afterwards, I would bemoan it as: "it never snows that hard in March in D. High St, Soft White Underbelly. The club was near the Ohio State University campus. I remember the flyers around campus with a picture of BOC and the header: Soft White Underbelly but you may know them by another name I had already purchased my tickets as i was familiar with their history and immediately recognised the name.

A real treat to see them in a small club. They brought back Last Days of May for this one. I remember being a little disapointed they didnt play Shooting Shark, which i still think is one of their stronger songs and certainly the strongest off of Revolution by Night. Erik Heidrich I was at this show. The show was actually delayed an hour because of electrical problems - I think they had a problem finding enough power in that old building for all of the equipment.

Don't remember the exact set list, but they opened with R. If I remember correctly, Burnin' For You was actually and encore. They also did Godzilla; I caught a drum stick in the chest during the conclusion of the solo, which I still have. This was the first time I had seen BOC, who was one of my favorites, and I was bummed out that I had to see them there.

I was also bummed out that my car was wrecked on the frontage road leading in to Six Flags, however, it was still drivable and I wasn't about to miss the show. I'm sorry I don't remember much about the set list. What I do remember is that, when they were ready to play "Godzilla", Eric went into his rap similar to that on "Extra Terrestrial Live" and said, "Oh no, it's Godzilla!!!!

Everyone kind of looked at each other and he said it again, exactly the same way. Still nothing. Finally, after a third time, the Godzilla sound effects could be heard and the band started into the song. Despite the concert being at The Old Glory Amphitheater which isn't the rick downey blue oyster cult burnin of venues for concertsthe band put on a great show.

After listening to everyone else ripping and shredding and blithering, I made a conscious decision to just play like myself. It worked well to wrap up the section, I was happy with how it came out. It was a really long time ago so I haven't got much memory of the gig. I was on a college field trip that took me to Alaska so you can imagine the surprise to find BOC were coming to town.

A colleague and I hitched the short distance from the University of Fairbanks where we were staying on campus to the town called North Pole. Not a big crowd, maybe people and very standard set Roadhouse Blues? Born To Be Wild? Being Summer in Alaska, the sun never set, so the second gig finished with full daylight outside. I saw BOC a few months later in the Hammersmith Odeon which was a really good show but somehow without the energy they had in the earlier years, and not matching the high level performances in the 90's and more recently, where the old songs dominate the set-list.

UPI - Police arrested 52 persons on drug, alcohol and smoking charges at a rock concert Monday night, but followed new guidelines and did not arbitrarily search anyone without cause. The arrests brought a protest from a promoter who vowed never to stage a rock concert in Fort Wayne again. Police said they arrested 10 persons on drug charges, 17 on alcohol charges and 15 for smoking inside the coliseum arena.

Some of the drug and alcohol arrests were made in a parking lot as fans arrived. Officials said 25 adults and 12 juveniles were arrested on the drug and liquor charges. Another 50 persons were asked to leave for smoking. Police said the 15 arrested were given a choice of leaving or being arrested. The arrests came after the city and the Indiana Civil Liberties Union reached an agreement Monday afternoon by which persons attending rock music concerts at the coliseum no longer will be subject to arbitrary searches.

Lisa Cappelli I attended this show with three friends and we witnessed another great boc show. It was another strong set by the guys. These guys amaze me - I've never seen a bad BOC concert. There was another band that opened called Block Yard and they were awful. John Stout Saw this show My seats were on the floor maybe 20 rows back I remember loving that I was able to see BOC on a smaller stage, but there was no real stage show of any kind, and I noticed new band members that I wasn't familiar with.

The show was the lightest attended I'd seen there, maybe about people in a theater that held about I have no memory of the opening band, unfortunately. The first couple BOC shows were the most amazing rock concerts I'd ever seen In '84 I saw them at the Centrum again, with a much smaller audience and no real stage set other than lights. I could see the writing on the wall, this band has downsized big time.

The Leroy Tht. I know a few years later they had major electrical flaws with the stage power and stopped shows forever by It's since been torn down. There was a fourth band, I can't remember what they were called, but it was made up of a few guys from the band Boston. The show was heavy, lots of brawls in the parking lot and the fairgrounds.

I was working staff for the promoter, can't remember his name either. I was sixteen at the time. The Staff shirt looked just like the Security shirt and this made me a target with some seriously scary biker dudes. I learn quick and dumped the shirt in favor of keeping my head on my body. Jeffrey Buckridge I was at this show. That's all I've got, I was 14 years old at the time.

Joe Mastro I was at this show. I remember the guitar player for Molly Hatchet, Dave Hubek getting pissed off at his guitar tech for some reason It was very hot and I stood all day with nothing to drink or eat but a single snow cone. That was my first BOC show and I enjoyed the hell out of it. That's what I remember. Advertised as Blue Oyster Cult, announced as Soft White Underbelly and delayed for a patience-stretching hour, a well-known band did perform at Manhattan in Spring Valley last Friday night.

Whatever the name, no one in the audience mistook the group for any other than that famous for the likes of "Don't Fear the Reaper," "Debbie Denise" or its successful blend of various hard rock strategies. Blue Oyster Cult built a reputation from its debut as a critics' band into a career of over a dozen albums and popular success.

Adjectives applied to he group ranged from, "sinister" and "maniac metalism" to "musical hard rock," "technocratic psychedelic" and even "closet intellectuals. Such matters did not seem to concern the wildly enthusiastic audience at Manhattan last Friday. It enjoyed everything the band put forth: the crunch chords and fast-fingered solos courtesy of Dharma, the anthemic "R.

Ready to Rock," the weird excursion of "Then Came the Last Days of May" from the band's first record and a more middle of the road rocker called "Spy in the House" from their forthcoming 13th? Even the Dharma-Bloom vocal harmonies that softened the edge of several tunes went over well. Bloom seemed more dispassionate than most rock'n'roll frontmen, exhortations of "on your feet or on your knees" notwithstanding.

Dharma was similarly more measured than his guitar competition, using more pacing than flash to whip up the guitar fans in the audience. With keyboard washes and pounding bass and drums, all the pieces fit and fit tightly. Through a combination of professionalism, attitude and energy, the band managed to avoid simple niche on the one hand and bland lack of direction on the other.

And the audience was with them every step of the way. Manhattan reportedly turned away hundreds from the show, as it has from previous shows. Taking a cue from too many rock clubs, Manhattan packed the room to the point of discomfort and left it that way without a band for too long. Keeping in mind the difficult economics of big names in small venues, there has to be a better balance.

However, this seems unlikely. There wouldn't be enough money to pay their fee on top of that of BOC's Also - why aren't Savoy Brown mentioned on the ticket? Anyone got any info on this, please get in touch John F Kouten I was there. I taped it. No Savoy Brown Back then I used to keep my concert ticket stubs in a book in running order.

I wish I'd kept up on this, but I quit by about Unfortunately they didn't do tickets for this show. You just paid at the door.