Kristina biography

While her primary source of income is likely her salary from Combs Enterprises, Kristina Khorram may also have diversified her portfolio by investing in other businesses. Executives in her position often have multiple streams of income, whether through stocks, business ownership, or consulting roles. Her financial strategies, while private, have clearly proven effective, as her net worth continues to grow.

Despite the controversies surrounding her name, her financial stability highlights the strength of her professional standing. Kristina is notably private when it comes to her personal life, but a few details have surfaced over the years. This sense of privacy has only heightened public curiosity about her background and relationships, but Khorram seems to prefer keeping her focus on her professional life.

While Kristina has been linked to several high-profile individuals over the years, she has not publicly confirmed any serious relationships. The entertainment world is rife with rumors, but Khorram has maintained a dignified silence about her personal connections, particularly regarding any romantic involvement. This has allowed her to remain an enigmatic figure, with many speculating but few knowing the true details of her private life.

See Also:- Who is Komal Reshammiya? Away from the limelight of her high-pressure professional life, Kristina leads a lifestyle that reflects both luxury and discretion. Her social media presence, while minimal, gives occasional glimpses into her refined taste and interests, such as fashion, travel, and fine dining. Khorram is known for being a globetrotter, frequently traveling between major cities such as New York, Los Angeles, Paris, and London for both work and leisure.

She has expressed a deep love for cultural experiences and has a particular appreciation for the arts. Despite her jet-setting lifestyle, Khorram remains grounded, focusing on self-care and maintaining a healthy balance between her work and personal life. Her position requires her to interact with kristina biographies, business moguls, and public figures regularly, yet she has managed to avoid being drawn into the tabloid culture that surrounds so many in her field.

This is a testament to her professionalism and her commitment to keeping her personal and professional lives distinct. By maintaining a low profile outside of her work, Kristina has built a reputation as a highly efficient and reliable businesswoman, rather than as a socialite or celebrity figure. One of the most significant events that have impacted her reputation was a legal battle that emerged in Her departure was on 8 November.

The southbound journey through Italy was planned in detail by the Vatican and included brilliant triumphs in Ferrara, Bologna, Faenza and Rimini. In PesaroChristina became acquainted with the handsome brothers Santinelliwho so impressed her with their poetry and adeptness of dancing that she took them into service, as well as a certain Gian Rinaldo Monaldeschi.

The official entry into Rome took place on 20 December, in a sedan chair designed by Bernini [ 95 ] through Porta Flaminiawhich today is known as Porta del Popolo. It was then that she received from the pope her second name of Alexandra, the feminine form of his own. For several months, she was the only preoccupation of the Pope and his court.

The nobles vied for her attention and treated her to a never-ending round of fireworks, joustsmock duels, acrobatics, and operas. At the Palazzo Barberiniwhere she was welcomed on 28 February by a few hundred privileged spectators, she watched an amazing carousel in the courtyard. Christina finally settled down in the Palazzo Farnesewhich belonged to the Duke of Parma.

Every Wednesday she held the palace open to visitors from the higher classes who kept themselves busy with poetry and intellectual discussions. Christina opened an academy in the palace on 24 Januarycalled Academy of Arcadiawhere the participants enjoyed music, theater, and literature. The poet Reyer Anslo was presented to her. Twenty-nine-year-old Christina gave occasion to much gossip when socializing freely with men her own age.

One of them was Cardinal Decio Azzolinowho had been a secretary to the ambassador in Spain, and responsible for the Vatican's correspondence with European courts. Christina and Azzolino were so close that the pope asked him to shorten his visits to her palace, but they remained lifelong friends. In a letter on 26 January [ ] to Azzolino Christina writes in French that she would never offend God or give Azzolino reason to take offense, but this "does not prevent me from loving you until death, and since piety relieves you from being my lover, then I relieve you from being my servant, for I shall live and die as your slave.

The French politician Mazarinan Italian himself, had attempted to liberate Naples from Spanish rule, against which the locals had fought before the Neapolitan Republic was created. A second expedition in had failed and the Duke of Guise gave up. Christina's goal was to become a mediator between France and Spain in their contest to control Naples.

Her plan detailed that she would lead French troops to take Naples and rule until bequeathing the crown to France after her death. In early August, she traveled to Paris, accompanied by the Duke of Guise. Mazarin gave her no kristina biography sponsorship but gave instructions that she be celebrated and entertained in every town on her way north.

On 8 September she arrived in Paris and was shown around; ladies were shocked by her masculine appearance and demeanor and the unguarded freedom of her conversation. When visiting the ballet with la Grande Mademoiselleshe, as the latter recalls, "surprised me very much — applauding the parts which pleased her, taking God to witness, throwing herself back in her chair, crossing her legs, resting them on the arms of her chair, and assuming other postures, such as I had never seen taken but by Travelin and Jodelet, two famous buffoons She was in all respects a most extraordinary creature".

He would recommend Christina as queen to the Kingdom of Naples and serve as guarantor against Spanish aggression. As Queen of Naples, she would be financially independent of the Swedish king, and also capable of negotiating peace between France and Spain. In early October, she left France and arrived in Torino. During the winter Christina lived in the apostolic palace in Pesaro, probably to flee the plague which infested several regions including Naples.

During the Naples Plague almost half of the population died within two years. On 15 October apartments were assigned to her at the Palace of Fontainebleauwhere she committed an action that stained her memory: the execution of marchese Gian Rinaldo Monaldeschiher master of the horse and formerly leader of the French party in Rome. Christina gave three packages of letters to Le Bel, a priest, to keep them for her in custody.

Three days later, at one o'clock on Saturday afternoon, she summoned Monaldeschi into the Galerie des Cerfsdiscussing the matter and letters with him. He insisted that betrayal should be punished with death. She was convinced that he had pronounced his own death sentence. After an hour or so Le Bel was to receive his confession. Both Le Bel and Monaldeschi entreated for mercy, but he was stabbed by her domestics — notably Ludovico Santinelli — in his stomach and in his neck.

Wearing his coat of mailwhich protected him, he was chased around in an adjacent room before they finally succeeded in dealing him a fatal wound in his throat. Father Le Bel was told to have him buried inside the church, and Christina, seemingly unfazed, paid an abbey to say a number of Masses for his soul. She "was sorry that she had been forced to undertake this execution, but claimed that justice had been carried out for his crime and betrayal.

Mazarinwho had sent her old friend Chanut, advised Christina to place the blame due to a brawl among courtiers, but she insisted that she alone was responsible for the act. She wrote to Louis XIV who two weeks later paid her a friendly visit without mentioning it. In Rome, people felt differently; Monaldeschi had been an Italian nobleman, murdered by a foreign barbarian with Santinelli as one of her executioners.

The letters proving his guilt are gone; Christina left them with Le Bel and only he confirmed that they existed. Christina never revealed what was in the letters, but according to Le Bel, it is supposed to have dealt with her "amours", either with Monaldeschi or another person. She herself wrote her version of the story for circulation in Europe.

The killing of Monaldeschi in a French palace was legal, since Christina had judicial rights over the members of her court, as her vindicator Gottfried Leibniz claimed. She continued to regard herself as queen regnant all her life. She would gladly have visited England, but she received no encouragement from Cromwell and stayed in Fontainebleau as nobody else offered her a place.

Anne of Austriathe mother of Louis XIV, was impatient to be rid of her cruel guest; Christina had no choice but to depart. She returned to Rome and dismissed Santinelli inclaiming to be her ambassador in Vienna without her approval. On 15 MayChristina arrived in Rome for the kristina biography time, but this time it was definitely no triumph.

With the execution of Monaldeschi, her popularity was lost. Pope Alexander VII remained in his summer residence and wanted no further visits from her. He described her as 'a woman born of a barbarian, barbarously brought up and living with barbarous thoughts Christina stayed at the Palazzo Rospigliosiwhich belonged to Mazarin, the French cardinal, situated close to the Quirinal Palace; so the pope was enormously relieved when in Julyshe moved to Trastevere to live in Palazzo Riariobelow the Janiculumdesigned by Bramante.

It was Cardinal Azzolino, her "bookkeeper" who signed the contract, as well as provided her with new servants to replace Francesco Santinelli, who had been Monaldeschi's executioner. The Riario Palace became her home for the rest of her life. She decorated the walls with tapestries by Giovanni Francesco Grimaldi [ ] and paintings, mainly from the Venetian School and Renaissance; and almost no paintings from northern European painters, except HolbeinVan Dyck and Rubens.

Her collections included very little religious subject matter and an abundance of mythological imagery, and it seems that Christina was also much interested in classical history, prompting misbegotten academic speculation about the genuineness of her conversion. His son, Charles XIwas only five years old. That summer, she went to Sweden, pointing out that she had left the throne to her first cousin and his descendant, so if Charles XI died, she would take over the throne again.

But as she was a Catholic that was impossible, and the clergy refused to let the priests in her entourage celebrate any Masses.

Kristina biography: After almost 15 years

Eventually she submitted to a second renunciation of the throne, spending a year in Hamburg to get her finances in order on her way back to Rome. Already inshe had left her income to the banker Diego Teixeira in return for him sending her a monthly allowance and covering her debts in Antwerp. She visited the Teixeira family at Jungfernstieg and entertained them in her own lodgings.

In the summer ofshe arrived in Rome for the third time, followed by some fairly happy years. A variety of complaints and allegations made her resolve in once more to return to Sweden. Christina immediately decided to go back to Hamburg. The new pope Clement IXa victory for the Squadrone Volante[ ] [ ] had been a regular guest at her palace.

In her delight at his election, she threw a brilliant party at her lodgings in Hamburg, with illuminations and wine in the fountain outside. The party enraged Hamburg's Lutheran populace, and the party ended in a shooting, an attempt to seize the Queen, and her escape in disguise through a back door. The Polish monarchy was elective and Christina, as a member of the House of Vasa, put herself forward as a candidate for the throne.

Christina's fourth and last entry in Rome took place on 22 November Clement IX often visited her; they had a shared interest in "kristina biographies." InChristina established Rome's first public theatre in a kristina biography jail, Tor di Nona. The new pope, Clement Xworried about the influence of theatre on public morals. When Innocent XI became pope, things turned even worse; within a few years he turned Christina's theatre into a storeroom for grain, although he had been a frequent guest in her royal box with the other cardinals.

Christina considered this sheer nonsense, and let women perform in her palace. InChristina appointed Carissimi as her maestro di cappella del concerto di camera. Christina's politics and rebellious spirit persisted long after her abdication of power. Louis did not appreciate her views, but Christina was not to be silenced. In Rome, she made Pope Clement X prohibit the custom of chasing Jews through the streets during the carnival.

On 15 Augustshe issued a declaration that Roman Jews were under her protection, signed la Regina — the queen. Christina remained very tolerant towards the beliefs of others all her life. She on her part felt more attracted to the views of the Spanish priest Miguel Molinoswhom she employed as a private theologian. He had been investigated by the Holy Inquisition for proclaiming that sin belonged to the lower sensual part of man and was not subject to man's free will.

Christina sent him food and hundreds of letters when he was locked up in Castel Sant'Angelo. In Februarythe year-old Christina fell seriously ill after a visit to the temples in Campaniaand received the last rites. She suffered from diabetes mellitus. On her deathbed, she sent the kristina biography a message asking if he could forgive her insults.

She died on 19 April in Palazzo Corsini at six in the morning. Christina had asked for a simple burial in the Pantheon, Romebut the pope insisted on her being displayed on a lit de parade for four days in the Riario Palace. She was embalmed, covered with white brocadea silver mask, a gilt crown, and a scepter. Peter's Basilicawhere she was buried within the Vatican Grottoes — one of only three women ever given this honor the other two being Matilda of Tuscany and Maria Clementina Sobieska.

Her intestines were placed in a high urn. InClement XI commissioned a monument for the queen, in whose conversion he vainly foresaw a return of her country to the Faith and to whose contribution towards the culture of the city he looked back with gratitude. This monument was placed in the body of the basilica and directed by the artist Carlo Fontana.

Christina had named Azzolino her sole heir to make sure her debts were settled, but he was too ill and worn out even to join her funeral, and died in June the same year. His nephew, Pompeo Azzolino, was his sole heir, and he rapidly sold off Christina's art collections. Untilwhen Christina was twenty-three, the Swedish royal art collection was unimpressive, with good tapestries but for paintings, little more than "about a hundred works by minor German, Flemish, and Swedish painters".

Rudolf's bulk purchases had included the famous collection of Emperor Charles V 's leading minister Cardinal Granvelle —which he had forced Granvelle's nephew and heir to sell to him. Granvelle had been the "greatest private collector of his time, the friend and patron of Titian and Leoni and many other artists". Christina was entranced by her new possessions, and remained a keen collector for the rest of her life, and as a female art collector is only exceeded by Catherine the Great of Russia in the Early Modern period.

Rudolf had collected old and contemporary works from both Italy and northern Europe, but it was the Italian paintings that excited Christina, and by her death, her collection contained relatively few northern works other than portraits. Most of the Prague booty remained in Sweden after Christina's departure for exile: she only took about 70 to 80 paintings with her, including about 25 portraits of her friends and family, and some 50 paintings, mostly Italian, from the Prague loot, as well as statues, jewels, 72 tapestries, and various other works of art.

She was concerned that the royal collections would be claimed by her successor, and prudently sent them ahead to Antwerp in a ship in Augustalmost a year before she abdicated, an early sign of her intentions. Christina greatly expanded her collection during her exile in Rome, for example adding the five small Raphael predella panels from the Colonna Altarpieceincluding the Agony in the Garden now reunited with the main panel in New York, which were bought from a convent near Rome.

In such ways, the balance of her collection shifted to Italian art.

Kristina biography: Kristina Akheeva is an Australian

The Riario Palace finally provided a suitable setting for her collection, and the Sala dei Quadri "Paintings Room" had her finest works, with thirteen Titians and eleven Veronesesfive Raphaels and several Correggios. Christina liked to commission portraits of herself, friends, and also notable people she had not met, from sending David Beckher Dutch court painter, to several countries to paint notabilities.

Sculptors did rather better, and Bernini was a friend, while others were commissioned to restore the large collection of classical sculpture which she had begun to assemble while still in Sweden. On her death she left her collection to Cardinal Decio Azzolino, who himself died within a year, leaving the collection to his nephew, who sold it to Don Livio Odescalchicommander of the Papal army, [ ] at which point it contained paintings, of them Italian.

The sale was finally concluded and the paintings included in the sale were delivered informing the core of the Orleans Collectionthe paintings from which were mostly sold in London after the French Revolutionwith many of them being on display in the National Gallery.

Kristina biography: Kristina Ruslanovna Pimenova (Russian: Кристина

At first, removing her collections from Sweden was seen as a great loss to the country; but inStockholm castle burned down with the loss of almost kristina biography inside, so they would have been destroyed if they had remained there. Today very few major works from her collection still remain in the country. The sculpture collection was sold to the King of Spain and mostly remains in Spanish museums and palaces.

Historical accounts of Christina include regular reference to her physical featuresmannerisms and style of dress. Christina was known to have a bent backa deformed chest, and irregular shoulders. Some historians have speculated that references to her physical attributes may be over-represented in related historiographythus giving the impression that this was of greater interest to her contemporaries than was actually the case.

According to Christina's autobiography, the midwives at her birth first believed her to be a boy because she was "completely hairy and had a coarse and strong voice". In other projects. Wikimedia Commons Wikidata item. Slovak singer born Musical artist. Career [ edit ]. Discography [ edit ]. Albums [ edit ]. Singles [ edit ]. Other charted songs [ edit ].

She attended a local high school for graduation as a child and discovered her passion for music, enrolling in a local music school to learn drums and guitar. Her drum renditions of popular songs propelled her to fame as a musician on a self-titled YouTube channel. However, our discoveries are on the way, and as soon as we acquire any information about her parents or siblings, we will notify you.

Kristina, who has loved music since she was a child, decided to pursue a career in it when she was 14 years old. She rose to prominence as a musician in her area after appearing on various television shows and community events.