Ethella chuprik biography of michael

Blumenthal is joined by Curzon who is fleet and has a little of the devil in him and by Chuprik who speeds past even Curzon with a driving interpretation. None of these three matches the supreme Schnabel version, but they are mighty fine. There are three versions I could live without: Ortiz, Jonas, and Ashkenazy; each of them makes critical errors.

Ortiz has a scheme which goes like this: march smartly - hesitate - march smartly - hesitate, and so on. She kills the momentum of the music numerous times, and the 3 rd Scene thrives on momentum. Also not doing well with momentum is Jonas who inexplicably goes soft 19 seconds into the piece; the momentum dies on the vine. There's nothing wrong with Ashkenazy's momentum; it's his lower keyboard 'chord crashing' which damages his performance.

The music does have a sprightly nature, and chord crashing is just ridiculous for the event.

Ethella chuprik biography of michael: Ballabile: Solo Piano Works ,

In Part 1, I found Moravec, Kubalek, and Horszowski to offer exceptional performances which would be hard to equal. Ethella Chuprik matches these three with a superbly articulated reading of youthful proportion; her left hand projection leads to a wonderful level of voice interplay which reminds me of Kubalek's interpretation. The remaining versions are excellent.

Blumenthal could have been at Chuprik's high quality except that he never really gets into a hushed mode at any point in his performance. Update on Curzon - The sound quality for Curzon is acceptable but lacks some depth perception and richness. To a degree, I'm finding Curzon similar to Argerich in that both offer a low amount of foundation; I'd prefer more concentrated readings.

In every other respect, Curzon's performances have been highly rewarding; he well contrasts the emotional responses from the adult and child, and his vitality is very strong. So far, only Blumenthal is more enjoyable among the seven versions. Blumenthal is fast as hell, missing all of the nuance and expressiveness in the music as he keeps speeding along.

Switch to Ortiz who can also take to very fast tempos, and the music opens up as she applies a wealth of variety. I didn't think I'd be hearing a version as good as Kubalek's for some time, but Ortiz is equally compelling. Her speed has expressive purposes which enhance contrast; Blumental's is simply the quickest way to get from beginning to end.

The remaining versions are very good, with Jonas being the most unusual. She starts off so gently and slowly, only to turn on the power and speed burners full blast. The contrasts are extreme, and I can't report that her interpretation is idiomatic. However, it somehow draws me into its manic web. This trait most applies to Curzon and Jonas who sound damned mad about something.

Only Ortiz carries a youthful joy through the scene, and she's starting to climb up toward the competition. One thing for sure: these seven versions of the 6 th Scene are a major come-down from the ten in Part 1. Realizing the potential is a different matter, but Jonas, O'Hora, and Curzon have no problem attaining it. They don't quite achieve the sublimely comforting quality presented by Moravec; however, each is a highly expressive and interesting interpretation.

The remaining versions have no reason to hide, as they all convey fine levels of poetry, comfort, and contemplation. Nobody does it better than Anton Kubalek, but Curzon comes close. Although he's much faster than Kubalek, Curzon uses every opportunity to enhance nuance and diversity.

Ethella chuprik biography of michael: Rachmaninov Piano Works:Ethella Chuprik.

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Allegro vivace.

Ethella chuprik biography of michael: Listen to Liszt: Piano

Then she received an honorary bursary from the Richard Wagner association exhibitioner Bayreuth, Germany, At that time, she gave concerts in several European countries. Inin recognition of this artistic work, she was named "Honoured Artist of Ukraine", in — "Folk Artist of Ukraine". Piano Concerto No. Tchaikovsky: Piano Concerto No. Contents move to sidebar hide.

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