Bhagyanjali biography books

A specialist of South Asian religions, he is the J. Prior to coming to Santa Barbara, he taught at the University of Virginia between and He also edited Tantra in Practice Princeton University Press, : his introduction to that volume is considered to be the most comprehensive definition of the multi-faceted tradition known as Tantra published to date.

White has been the recipient of several research fellowships and grants, including a John Simon Guggenheim Foundation Fellowship and three Fulbright Research Fellowships for India and Nepal. A panel to honor his scholarship was part of the program of the annual meeting of the American Academy of Religion, held at Chicago on November 1, Write a Review.

Create a free account to discover what your friends think of this book! Community Reviews. Search review text. Displaying 1 - 19 of 19 reviews. Anyone familiar with David Gordon White's work will know what to expect from this history of the reception and interpretation of Patanjali's Yoga Sutra - a fascinating, stimulating, engaging, and illuminating encounter with one of the seminal texts that informs the world's bhagyanjali biography books of Hinduism and Indian religious history as a whole.

Readers looking for easy answers may come away disappointed, because almost nothing is known for certain about who Patanjali was, or what he was trying to do with this notoriously impenetrable text. Indeed, as White calls out, the root Sutras themselves in their entirety contain only four verbs, and so the collection of cryptic aphorisms has been inseparable from Vyasa's Samkhya commentary for as far back as we can see.

Perhaps, as some have argued, Vyasa, which is essentially a Sanskrit word meaning "editor," was simply Patanjali himself, producing an auto-commentary to a work that would better be called Yogashastra, or "Treatise on Yoga. However, there is a great deal that can and must be said about how it has been interpreted, appropriated, and reconstructed in the light of shifting priorities and beliefs over the centuries.

Many of its most prominent exponents have had only a hazy understanding of its likely meaning, or have been indifferent to its original sense, and preferred to recast it in terms of their understanding of what is quintessentially Indian, like Schlegel, or to read it in the light of Advaita Vedanta, as countless modern interpreters have done.

As a longtime student of Indian philosophy, I deeply appreciated the light this riveting book shed on the history of the interpretation and dissemination of Indian philosophy in the Western world. A great many of the key figures involved in the study of Indian religion have offered their own views on this work, and it was enormously useful to review the various generations of interpretation in this fascinating case study, which touches on everyone from F.

The one place where I may differ from the author is that I believe I'm a bit more neutral on the concept of appropriation of religious ideas, of which he is highly critical. I think it makes sense for the Vendantin, for example, to intuit that what Patanjali is really getting at in invoking Ishvara is an experience or consciousness of something that, in their own system, they would call God or Brahman, and to confidently offer a parallel there.

Indeed, White has made a very persuasive case that there has not been any original Yoga Sutra to reconstruct for a great many centuries, so all we have is a history of interpretations. But White seems rather critical and often derisive of many appropriations - probably more so than I would be, though I'm sympathetic when he comes round to rebuke the legions of charlatans who have made up this or that out of thin air, for their own purposes.

Speaking of appropriation, White spends some bhagyanjali biography books of time giving Hegel a beat down for his totally unqualified engagement with the Yoga Sutra, arguing that Hegel didn't know the material very well and had to rely entirely on secondary sources, and was therefore an unqualified interlocutor. It was ironic to read, then, that his own account of Hegel relied heavily on secondary treatment, and White himself demonstrated a severe and fundamental misunderstanding of German idealism in erroneously describing the Kantian noumenon as that which is apprehended by the mind rather than the senses.

A mistake of that magnitude implies that he is at least as in the dark about German philosophy as Hegel was about Hinduism. So there it is - there's a lot to know and we all do what we can with what we have.

Bhagyanjali biography books: Bhagyanjali aka Anjali Aneesh Upasana, is

If you're looking for a critical academic study of the Yoga Sutra and its meaning, I recommend this book very highly. I found it altogether excellent. A very interesting book which is a biography of the book, Yoga Sutra of Patanjali, rather than a biography of the author s Patanjali. It sets out to show how the sutra has changed since it was conceived hundreds of years ago.

At times it has been very popular and at others completely ignored. It has been translated and interpreted and re-interpreted to meet different agendas lots of times over the course of time. It questions why it is so revered by yogis and yoga teacher training courses today. It is an understatement to say that this is not an easy read.

Bhagyanjali biography books: Anjali Nair is an Indian actress

It is a very detailed academic study and I'm glad I listened to an interview in which David Gordon White talked about his research before starting the book! Blair Hodges. This is one of the more difficult titles in Princeton's "Lives of Great Religious Books" series which I've read, and the difficulty certainly stems from my own unfamiliarity with Hindu, Buddhist, and Indian religion in general.

I'm not sure I'd recommend this as an introductory text. White decided to weave multiple chronologies together in a way that had me reeling a bit considering the unfamiliar names and concepts. For beginners like me this book will require at least two readings. Still, White challenges many common assumptions about the practice of yoga and its connections tenuous to ancient perspectives.

Madame Blavatsky, T. Eliot, Hegel, and Yeats are some of the nineteenth-century western figures who became tangled up in the fascinating resurrection of a text, the Yoga Sutra, which had sank in obscurity for centuries. I have no idea why so many other reviewers seem to perceive this work as a challenging read, since it seems rather straightforward and there is a reasonable explanation for any "philosophical" words used.

Overall, this is an excellent read that really calls into question the origins of modern Western yoga practice and philosophy and the men who uphold it. The final chapter is a kicker, and I wish more was said, but the idea that Patanjali's Sutras is of Buddhist origin with the final chapter added to "Hindu-ize" the text during a period of war between Hindus and Buddhists brings a completely different perspective to considerations as to whether or not "yoga" is a religious practice.

Author 3 books followers. White traces the controversies around the commentary and the particular versions of Sanskirt, the conflations of the interpretation tradition, and the sutras strange place in the modern yoga movement s both in the West and in India. White illustrates how little we can say about the text for sure, but does present most of the theories of its origin and its wild modern reception history.

A succinct "biography" of a puzzling and esoteric work that is enjoying a bizarre second life in the age of internet bhagyanjali biography books. White tells the thousand year history of the Yoga Sutra's reception without obfuscation or condescension. This volume is much better edited than White's Sinister Yogiswhich I read last year. Bhagyanjali is a relatively new face in South Indian Film Industry.

She has worked in Telugu, Tamil and Malayalam industry. Her real name is Anjali. Bhagyanjali was born in the year in a small district in Central Kerala.

Bhagyanjali biography books: Bhagyanjali, Anjali Aneesh Upasana. Occupation: Actor.

Since her college days, she used to take up small modeling assignments for pocket money. Her freelance modeling was so impressive that it grabbed the attention of many in the entertainment industry. Small modeling projects landed her a role of an anchor at Asianet. She was never short of work. Opportunities started coming just one after another.

By this time, she had a few stage shows and TV shows. She had also acted in five albums. Bhagyanjali started endorsing top brands on national television. She acted in seventy-five advertisements. Her personality and talent were the reason for her to get into the film world. After that, there was no stopping. She is a firm believer of numerology.

These are her early days, but she has a long way to go. A lot has been achieved, but still a lot is achievable. Top Malayalam Serials In High Budget Films In Mollywood Best Evergreen Movie Of Mohanlal.

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